Is It Easier To Wax With A Boner

RADIO SINGER

A documentary by Peter Balla.

documentaries, good ones, usually do not seek the absolute truth. At least not one with a capital. Do not aspire to the role of historians, not economists or sociologists, but are content in a way to tell stories, to convey emotions, often in person, at the risk and sharing its vision of reality. Peter Balla, presenting Radio Singer at the Turin Festival a few days ago, has forcefully asserted its role as a narrator who introduces the viewer to his version, one of the many possible, a piece of our recent past.

Pietro Balla's film offers us a quick look at the season of political and social struggles experienced by Italy in the seventies, not so much giving us a sequence of historical events, but rather the taste of something far away in time, not to hide the regret and nostalgia for what today is no more, and for incazzatura what might have been.

The events are those of the October 1, 1977 in Turin, the day is preparing a big event for work in the city center. On the outskirts, in the town of Leintwardine, Singer, historical works of appliances that day closes its doors forever, ceasing to produce refrigerators, true symbol of prosperity and economic miracle.

A Leinì that day ends a cycle of intense struggle for the defense of employment, which for the first time in Italy the workers have tried to bring their protest outside the factory gates, involving entertainers and ordinary citizens. They performed on the stage of Singer, in fact, Guccini, Milva, Franca Rame, Dario For and the Living Theatre, in what became an innovative policy experiment, which sought to push the boundaries of the workers' demands. An attempt that, despite the investment of energy, however, was doomed to fail in front of the logic of the market. And so, the film footage that shows massive parades, crowded meetings, contrasted with shots Today, the streets and squares of half empty. The voices of marches and demonstrations are no longer in the days of Peter Balla.

As with images, two voices alternate in the documentary to tell the day from two different perspectives: that of the past belongs to Madeleine, workers have on Radio Singer, the first free radio to tell the world from the factory, to be the final farewell to the dreams of fighting in his place of work and life. Today it is the voice of the director himself who, in person, talks about his October 1 '77, spent at home listening to his companion, Magdalene in fact, while outside the story did run its course.

addition at the end of Singer, that something went wrong on October 1 in Turin. While the factory gates were closed to Leintwardine, the procession attacked with a Molotov cocktail bar in the center, supposedly gathering of fascists, killing an innocent child of immigrants. The same factory that immigrants had contributed to the miracle of economic boom, and that in those years lived the bitter wake of industrial decline.

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Public Enemy (Public Enemies - USA 2009) The double

A film by Michael Mann. With Johnny Depp, Christian Bale, Marion Cotillard, Billy Crudup, Stephen Dorff.

- In this place, people matter where you come from. I, however, I evaluate where to go.

- And you, where would you go?

- Wherever I want




Michael Mann on stage, with great formal rigor and narrative ability, the tragic epilogue of John Dillinger, bank elusive burglar that in the '30s, began the serious embarrassment in American justice. Lone hero and irreverent, Dillinger is to win the war luxury that was denied, beautiful women, fast cars, glitzy parties and clothes. At every stop, crowds waiting for the wings of the streets, fascinated by the myth of the outlaw, eager to share a piece of that life which, in America's Great Depression, seemed like an unattainable dream. Dillinger's character is one of those capable of challenging some of the principles that govern the lives of good and honest citizens. You can not simply liquidate its existence, and its end, like it deserves a hardened criminal, unable to bear the rules of civilized life. Dillinger belongs to that breed of bandits, without any qualms if a barrier is interposed their projects and at the same time itself, able to be faithful and loyal to the end.


In his life, and in the movie, the car chases, shootouts to alternate moments of real passion, tenderness and regret. But love will not save a man incapable of relating to others without causing death and injury. While the portraits of his fellow appears "dead," Dillinger inevitably finds himself alone, condemned to move forward, no room for second thoughts for future projects. The last shot is not what will go with the beloved Billie to rebuild their lives, away from it all. A character thus capable of challenging the very idea of \u200b\u200bjustice, revealing the contradictions of a system to divide the good from the bad often seems unfair and arbitrary. Dillinger relates to a corrupt and corruptible. The police themselves, and especially the nascent FBI agents, dressed exactly like the gangsters themselves, have no qualms in adopting the same methods of criminals to do their job. Brutal interrogations, blackmail, a lightness guilty in opening fire on everyone in the dark, is on the path of his machine gun. The hunt ends almost to superimpose its characters, no longer clearly divided between good and bad. Up to arrive at what looks like a real performance: Dillinger, shot in the back by officers, died on a sidewalk in Chicago, the release of a film. It fulfills its destiny, el'epilogo could only be tragic. But in this there is no surprise, Dillinger himself seems to be aware and determined to live to the full his fate.

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now - Little Miss Italy 2009

A film by Hour. With Ksenia Rappoport, Filippo Timi, Antonia Troops, Gaetano Bruno, Fausto Russo Alesi.

I was not prepared for you!

Finally! One would exclaim at the end of watching this film. Finally, because an Italian film, which is around in treacherous areas of the thriller genre, it is exciting and believable in its entirety. And this must be what they thought of critics and audiences the Venice Film Festival, where The double result is now the most popular Italian film. L ' Indigo Film, among others manufacturer of film by Paolo Sorrentino, Il Divo and The Consequences of Love, this film confirms its eye on against the Italian cinema of quality.

A great debut for Capotondi Joseph, director of music videos and advertising, which has a screenplay perfectly calibrated his strong point. A narrative, without snagging, catching the viewer from the very first scene, not forgetting to cause some jerk here and also in the chair. The plot, which of course I will not give details, is one of those who manage to go beyond the mere sequence of spectacular actions, to advance into the maze of the mind of the characters, linking events and emotions in a compelling plot. Doubts alternate beliefs, memories are mixed up to become obsessions. Viewers, therefore, the sole task of letting go to the unfolding of a story in which nothing is as it seems. Or rather, everything is exactly what it appears.
to give credibility to the story we think the good performers, most notably its two protagonists: Ksenia Rappoport rightly awarded the Volpi Cup last Festival of Venice, and Filippo Timi . The two manage to construct a portrait of two complex characters, both tormented by its past and unable to fully live the present. The double time is, in fact, the story of a love stuck in the bud by tragic events. The meeting between Guido and Sonia, a night for singles, seems destined to overcome loneliness in which they live both. She, a waitress in a hotel and mysteriously fascinating. He, an ex-cop who tries to defeat his painful past through long days to act as guardian to a big empty house. Just when love seems to have begun to dissolve both characters, stiff and awkward, the tragic death of Guido transmit everything into question. At that point the story takes an unexpected turn, upset by constant acceleration forward and return back time and travel on different narrative levels. The two hours is not only one in which, on the clock, you see a pair of identical numbers, but especially one in which extraordinary events may occur, which can create connections between parallel worlds. In which memories and fears emerge bullies, to revert to being a reality.