A film by Hour. With Ksenia Rappoport, Filippo Timi, Antonia Troops, Gaetano Bruno, Fausto Russo Alesi.
I was not prepared for you!
Finally! One would exclaim at the end of watching this film. Finally, because an Italian film, which is around in treacherous areas of the thriller genre, it is exciting and believable in its entirety. And this must be what they thought of critics and audiences the Venice Film Festival, where The double result is now the most popular Italian film. L ' Indigo Film, among others manufacturer of film by Paolo Sorrentino, Il Divo and The Consequences of Love, this film confirms its eye on against the Italian cinema of quality.
A great debut for Capotondi Joseph, director of music videos and advertising, which has a screenplay perfectly calibrated his strong point. A narrative, without snagging, catching the viewer from the very first scene, not forgetting to cause some jerk here and also in the chair. The plot, which of course I will not give details, is one of those who manage to go beyond the mere sequence of spectacular actions, to advance into the maze of the mind of the characters, linking events and emotions in a compelling plot. Doubts alternate beliefs, memories are mixed up to become obsessions. Viewers, therefore, the sole task of letting go to the unfolding of a story in which nothing is as it seems. Or rather, everything is exactly what it appears.
to give credibility to the story we think the good performers, most notably its two protagonists: Ksenia Rappoport rightly awarded the Volpi Cup last Festival of Venice, and Filippo Timi . The two manage to construct a portrait of two complex characters, both tormented by its past and unable to fully live the present. The double time is, in fact, the story of a love stuck in the bud by tragic events. The meeting between Guido and Sonia, a night for singles, seems destined to overcome loneliness in which they live both. She, a waitress in a hotel and mysteriously fascinating. He, an ex-cop who tries to defeat his painful past through long days to act as guardian to a big empty house. Just when love seems to have begun to dissolve both characters, stiff and awkward, the tragic death of Guido transmit everything into question. At that point the story takes an unexpected turn, upset by constant acceleration forward and return back time and travel on different narrative levels. The two hours is not only one in which, on the clock, you see a pair of identical numbers, but especially one in which extraordinary events may occur, which can create connections between parallel worlds. In which memories and fears emerge bullies, to revert to being a reality.
A great debut for Capotondi Joseph, director of music videos and advertising, which has a screenplay perfectly calibrated his strong point. A narrative, without snagging, catching the viewer from the very first scene, not forgetting to cause some jerk here and also in the chair. The plot, which of course I will not give details, is one of those who manage to go beyond the mere sequence of spectacular actions, to advance into the maze of the mind of the characters, linking events and emotions in a compelling plot. Doubts alternate beliefs, memories are mixed up to become obsessions. Viewers, therefore, the sole task of letting go to the unfolding of a story in which nothing is as it seems. Or rather, everything is exactly what it appears.
to give credibility to the story we think the good performers, most notably its two protagonists: Ksenia Rappoport rightly awarded the Volpi Cup last Festival of Venice, and Filippo Timi . The two manage to construct a portrait of two complex characters, both tormented by its past and unable to fully live the present. The double time is, in fact, the story of a love stuck in the bud by tragic events. The meeting between Guido and Sonia, a night for singles, seems destined to overcome loneliness in which they live both. She, a waitress in a hotel and mysteriously fascinating. He, an ex-cop who tries to defeat his painful past through long days to act as guardian to a big empty house. Just when love seems to have begun to dissolve both characters, stiff and awkward, the tragic death of Guido transmit everything into question. At that point the story takes an unexpected turn, upset by constant acceleration forward and return back time and travel on different narrative levels. The two hours is not only one in which, on the clock, you see a pair of identical numbers, but especially one in which extraordinary events may occur, which can create connections between parallel worlds. In which memories and fears emerge bullies, to revert to being a reality.
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