Directed by Michael Patrick King. With Sarah Jessica Parker, Kim Cattrall, Kristin Davis, Cynthia Nixon, Chris North.
"I believe my body
Perhaps the expectations, this time could be high, especially for those who have followed and loved all the previous seasons of the television New York's four ex-girlfriends. And after all, even considering the terrible previous episode film, could have been much worse. Of course, after two and a half hours, it is difficult to leave the room without regret for the good old days when Carrie and members frolic and philosophize about scratching glamorous and sexuality in a fascinating Manhattan. Building a real phenomenon, with their festive demand for women's empowerment that can be interesting, and above all fun, even for men. The stars of today have become rather large, even if they continue to call themselves "girls" (at what age women become?), Marriages, children, menopause, furnishings have taken the place of fashion and the relationship between the sexes , all seasoned with a tired and lazy nostalgia for times gone by. But we especially regret that we viewers to "spark" that made it interesting, even for those not living in Manhattan, the story of Sex and the City. And it's not just that a TV show in transition to the big screen, with a change of pace and understandable language, can lose its effectiveness. This film is not sloppy track of all those elements that had made the fortune of the series. A script that does not exist, if not ridiculous, has made the main characters so "infighettite" precluding anyone the opportunity to identify with their stories. Of biting and caustic in the reflections of Carrie is not nothing left now, and really see it in deep crisis, for having destroyed only kissed his ex, met by chance in Abu Dhabi, smile of pity, looking at the bad end who made our heroine.
"And when you think you've seen it all ..." comes the performance of a Liza Minelli that, now in that sweet age where you should look at the world with a benevolent eye and seconded , instead of a femur fracture risk tripping on stage in a miniskirt. Just as, in the end, not at all convinced by the attempt to make sense of this story, telling the desire / need of the women of Abu Dhabi to finally enjoy the liberation of sexual mores is still missing. The issue is too complex and too serious to be tackled from a bad movie like this.
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